This will necessarily be a fairly short post, as most of my information is coming from
Chantal Akerman has evidently been troubled by these same questions (or so Wikipedia teasingly suggests). In the article on Jeanne Dielman, it states that “Akerman was reluctant to be seen as a feminist filmmaker, stating that ‘I don’t think women’s cinema exists.’” And that’s certainly not to say that women don’t make films. But it says that these films are not fundamentally distinct from the films made by men, and that we would be wrong to ghettoize them. Akerman has expressed similar concerns about the reception of her 1974 film Je tu il elle, whose female protagonist engages in an extended sex scene with another woman, which led some to label the film as an example of “queer cinema.” Well, Akerman is having none of that. Take it away, Wikipedia: “According to the book Images in the Dark by Raymond Murray, Akerman refused to have her work ghettoized and denied the New York Gay Film Festival the right to screen Je tu il elle. ‘I will never permit a film of mine to be shown in a gay film festival.’” Now, unfortunately, the Wiki doesn’t elaborate anymore on this subject, but Akerman’s stance on the issue is quite clear: she clearly wishes to be an artist, first and foremost, and not a woman artist or a gay artist.
I wonder how she would respond to the way Wikipedia has labeled her, as the categories in which her article appears include: “Belgian women film directors,” “LGBT directors,” “LGBT Jews,” “Women artists,” “Belgian Jews,” and “LGBT people from Belgium.”